I'm frequently asked about the gear I prefer to use. On this page, I'll share the photography equipment that has been helping me capture my images. While I firmly believe that a photographer's skill, creativity, and dedication are most important, having the right tools will help you to get the images you are looking for.
Contents
My equipment
Nikon Z7 II (2024 - Present)
In 2024, I made the leap to full-frame with the Nikon Z7 II, and what a leap it was. The 45.7-megapixel sensor delivers stunning image quality, and the whole camera just feels right in hand.
It’s loaded with buttons that I’ve set up to match my shooting style, making everything flow naturally and effortlessly.
Nikon D5500
Before switching to the Z7 II, I shot with my Nikon D5500 for seven years. It had a 24.2-megapixel sensor and a battery that just wouldn’t quit. Using it became second nature, and saying goodbye wasn’t easy, but I passed it on to someone who’ll keep it going.
- My go-to lens back then was the Sigma 10-20mm f/4-5.6—perfect for wide shots. Most of my early photos from the Netherlands, Sweden, and Porto came through that lens.
- I also had a soft spot for the Nikon 50mm f/1.8G: amazing colours and that buttery bokeh for such a great price.
- For travel, the 'Nikon 18-105mm DX VR' had my back. Not the sharpest, but super dependable.
Lenses
Right now, I’m using the NIKKOR Z 24-120mm f/4 S that came in a bundle, and I’ve been pleasantly surprised by its performance. It’s versatile than I expected, sharp, reliable, and perfect for everything from everyday shots to travel photography. It’s great for a variety of scenarios and has become my go-to lens for general use.
For wide-angle shots, I went with the Nikon Z 14-30mm f/4 S, and I absolutely love it. It might not be for everyone, but it checks all the boxes for me. It’s compact and lightweight, which makes it easy to carry around without feeling weighed down.
The image quality is fantastic, and I appreciate how it handles both landscapes and architecture due to its low distortion Even with its small form factor, the lens performs brilliantly, making it a solid choice for anyone who values portability without sacrificing quality.
Tripod
For stability, I rely on a secondhand Manfrotto Compact Action Aluminium tripod. It’s discreet, sturdy, and fits snugly into a small backpack, which is perfect for nightly adventures or travel.
The head’s starting to feel a bit of wear, so I’m keeping an eye out for a way to replace the head.
Is photography gear really that important?
Not really. Fancy gear is nice, but it’s far from essential. The best camera is the one you actually have with you. That might be your smartphone. For me, I used an entry-level DSLR for seven years before finally upgrading to something more professional.
I loved my Nikon D5500. I had second-hand lenses and never felt limited, but when you start shooting in the rain or do some paid weddings, it’s nice to have gear that helps you out a bit more.
Why lenses matter more than camera bodies
If you’re deciding where to invest your money, spend it on lenses. The lens has a bigger impact on image quality than the camera body in most situations. Professional photographers often keep using the same lenses while upgrading their camera bodies over time. That says a lot.
Q: “Is it safer to buy a better a good body or a great lens?
A: Camera bodies are updated frequently and lose value quickly. Use this to your advantage if you start. Lenses, on the other hand, hold their value and often work across several generations of cameras, especially within the same brand.
Professionals often use the same lenses for decades while upgrading their camera bodies multiple times. Quality glass can completely change what your camera can do, and it’s often the gear you keep the longest.
So remember: Cheap body, first and then upgrade, lenses you intent to keep.
The next step: Specialised Lenses for Your Craft
Only after you’ve figured out what you want to photograph can you consider investing in a specialised lens. I love landscapes and wide-angle shots, so I’ve invested in a nice wide-angle lens. However, if you love doing portraits, you’ll probably want to invest in a 70-200mm lens, and if you like wildlife, a 100-400mm or 150-600mm.
My recommendations for starters
If you’re just starting out, a kit under €1,200 is more than enough. Try different styles, travel a bit, and figure out what you actually enjoy. Gear doesn’t make the photographer; your perspective does. After a few years, once you know your style, you can think about upgrading.
Don’t ignore older models either. Cameras that were top-tier a few years ago still perform really well, especially for beginners. Buying used is often a smart way to get great quality for less.
As for brands, they’re all solid. I use Nikon, but Canon, Fuji, Sony, and Pentax are just as good. The main thing to remember is that switching systems can be tricky—lenses aren’t interchangeable, and even small things like control layouts differ.
1. Your first lens should be a versatile choice
A versatile lens, like an 18-200mm, 24-105mm or 24-70mm, should be your first lens. Each brand has its options, and third-party manufacturers like Sigma, Tamron, and Tokina offer great value for the price.
These lenses will cover most of your needs, from landscapes to portraits, and will serve you well as you grow in your photography journey.
2. The next step: Specialised lenses for your craft
Only after you’ve figured out what you want to photograph can you consider investing in a specialised lens. I love landscapes and wide-angle shots, so I’ve invested in a nice wide-angle lens.
However, if you love doing portraits, you’ll probably want to invest in a 70-200mm lens, and if you like wildlife, a 100-400mm or 150-600mm.